8bit Barry
Well-known member
- Joined
- Jul 6, 2003
- Messages
- 98
- Reaction score
- 5
I bought a treble boost, a BSM RM, and I want to ask anyone who uses one of these or similar what they think of it.
The only amp out of the seven valve amps I own it works well on is a Marshall 50w 2204, that late 70's master volume model with the big logo. The way it sounds interesting is to put it through the normal channel, crank the master volume to about 7, pre amp all the way up to 10, THD Hot Plate at -8db, through a late 60s Marshall cab played on a 1978 Les Paul Reborn with all the Jimmy Page mods, push pulls on all the tones and volumes so I can make it into single coils, reverse phase, in series etc.
BUT Is it me or am I missing something about treble boosters and the magic they are supposed to work? Using the above settings there is such a drop in bass I loose masses of bottom end. With guitar tone controls full up it wants to rip off my face so they have to be rolled down to 5. If I turn the pedal off the sound is total crud, so I guess the idea is to keep the pedal on at all times and use the guitars volume to change the drive. This makes it really limiting to use with other pedals.
Without using the treble boost, using the HIGH input I can roll the preamp volume to 3, crank the master colume to 7 or 8, guitar tones full up, getting a really similar sound without the loss of bass. I cant work out what the fuss is all about right now so I was wondering if someone can enlighten me. Add compression and its even better, chiming and tight sounding.
I have a Marshall 100w Super PA made in 1971 and it sounds pretty bad through that I have to say, the one amp I thought would work really well with it. It's terrible through the Orange TTerror, boring through a Sims Watt 100.... what's going wrong here or am I overlloking some settings or something??
The only amp out of the seven valve amps I own it works well on is a Marshall 50w 2204, that late 70's master volume model with the big logo. The way it sounds interesting is to put it through the normal channel, crank the master volume to about 7, pre amp all the way up to 10, THD Hot Plate at -8db, through a late 60s Marshall cab played on a 1978 Les Paul Reborn with all the Jimmy Page mods, push pulls on all the tones and volumes so I can make it into single coils, reverse phase, in series etc.
BUT Is it me or am I missing something about treble boosters and the magic they are supposed to work? Using the above settings there is such a drop in bass I loose masses of bottom end. With guitar tone controls full up it wants to rip off my face so they have to be rolled down to 5. If I turn the pedal off the sound is total crud, so I guess the idea is to keep the pedal on at all times and use the guitars volume to change the drive. This makes it really limiting to use with other pedals.
Without using the treble boost, using the HIGH input I can roll the preamp volume to 3, crank the master colume to 7 or 8, guitar tones full up, getting a really similar sound without the loss of bass. I cant work out what the fuss is all about right now so I was wondering if someone can enlighten me. Add compression and its even better, chiming and tight sounding.
I have a Marshall 100w Super PA made in 1971 and it sounds pretty bad through that I have to say, the one amp I thought would work really well with it. It's terrible through the Orange TTerror, boring through a Sims Watt 100.... what's going wrong here or am I overlloking some settings or something??