We hope that people will appreciate our unique form, which has infinite expressive power, and our simple yet profound production policy.
Neck
It's the original Broadcaster's white neck, which is a one-piece maple piece. In addition to the natural model, rosewood fingerboards are also available. The position mark on the 12th fret also follows the original design, and the spacing between the transitions is narrow. The rosewood fingerboard model has a simple design that does not include the wood in the head or the black line on the back of the neck. The fretting is also perfect. The body is detachable and joined with a metal plate and 4 screws. The serial number is engraved on the plate. Also, if you look at the headstock from the side, you can clearly see that the line from the nut to the head curves elegantly to recreate the original design. The head mark is also in the same position as the original, and the pegs are the already well-established Kluson type.
Bridge
The original is a 3-way type, but the TE series uses a 6-way type. I want people to see this as a purely musical issue. It goes without saying that the TE series, which allows you to adjust the height and pitch of each of the six strings individually, allows you to adjust the pitch more accurately than the 3-way type. Don't you think it's excellent from a functional standpoint as a musical instrument? 50/55 types have steel bridges. The 80 and 85 types are made of brass.The bridge, string height adjustment screw, and pitch adjustment screw have a black finish for a heavy-duty feel.
Tail piece
The tailpiece is an L-type Tokai original. There is no microphone cover. Therefore, there are no helicopters around. The Project Team decided that the essence of the original would not be compromised by the presence or absence of a microphone cover. Anti-rust treatment has been applied to ensure sufficient durability.
Control panel
The control panel also has a simple design. From the bottom: tone, volume, selector switch. It shows a unique harmony with the simple and elegant body design. The changeover switch is an old type with a round knob and has 3 steps, in the order of rear, center, and front. The original order was rear-front-front high-cut, but the project team decided that the TE series better matched the demands of modern guitarists.
Inside the control panel
The volume is an A curve. If it were just a copy of the guitar, it would be fine to make it the same as the original with a B curve, but there is a big reason for this. In other words, the A curve has more depth and width than the B curve in terms of tone nuances from 5 to 8, and can respond to the delicate needs of guitarists with more leeway. Furthermore, a 1000 picofarad capacitor is used to prevent the sound from becoming muffled even when the volume is lowered, and a 1 meg variable resistor makes it easier to play the violin. The tone is the original A-curve, 1 meg variable resistor, and 0.047 microfarad capacitor. As a whole, the inside of the control panel perfectly utilizes the nuances of the original design, and the policy of the TE series is to further expand the range of expression.
Neck
It's the original Broadcaster's white neck, which is a one-piece maple piece. In addition to the natural model, rosewood fingerboards are also available. The position mark on the 12th fret also follows the original design, and the spacing between the transitions is narrow. The rosewood fingerboard model has a simple design that does not include the wood in the head or the black line on the back of the neck. The fretting is also perfect. The body is detachable and joined with a metal plate and 4 screws. The serial number is engraved on the plate. Also, if you look at the headstock from the side, you can clearly see that the line from the nut to the head curves elegantly to recreate the original design. The head mark is also in the same position as the original, and the pegs are the already well-established Kluson type.
Bridge
The original is a 3-way type, but the TE series uses a 6-way type. I want people to see this as a purely musical issue. It goes without saying that the TE series, which allows you to adjust the height and pitch of each of the six strings individually, allows you to adjust the pitch more accurately than the 3-way type. Don't you think it's excellent from a functional standpoint as a musical instrument? 50/55 types have steel bridges. The 80 and 85 types are made of brass.The bridge, string height adjustment screw, and pitch adjustment screw have a black finish for a heavy-duty feel.
Tail piece
The tailpiece is an L-type Tokai original. There is no microphone cover. Therefore, there are no helicopters around. The Project Team decided that the essence of the original would not be compromised by the presence or absence of a microphone cover. Anti-rust treatment has been applied to ensure sufficient durability.
Control panel
The control panel also has a simple design. From the bottom: tone, volume, selector switch. It shows a unique harmony with the simple and elegant body design. The changeover switch is an old type with a round knob and has 3 steps, in the order of rear, center, and front. The original order was rear-front-front high-cut, but the project team decided that the TE series better matched the demands of modern guitarists.
Inside the control panel
The volume is an A curve. If it were just a copy of the guitar, it would be fine to make it the same as the original with a B curve, but there is a big reason for this. In other words, the A curve has more depth and width than the B curve in terms of tone nuances from 5 to 8, and can respond to the delicate needs of guitarists with more leeway. Furthermore, a 1000 picofarad capacitor is used to prevent the sound from becoming muffled even when the volume is lowered, and a 1 meg variable resistor makes it easier to play the violin. The tone is the original A-curve, 1 meg variable resistor, and 0.047 microfarad capacitor. As a whole, the inside of the control panel perfectly utilizes the nuances of the original design, and the policy of the TE series is to further expand the range of expression.
Attachments
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