pages plexitone
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Ok, I applied a little more thought, time and effort to my recording setup....one takes on the guitar tracks though : )
I got the e609 right in the center of the cone on a Marshall VM cab about 3" off, and I stood a AT4047 off just at the point I heard the dreaded phase issue raise it's head.
So anyway, the cabinet and the mics never changed. I tried to get the levels as close as I could through the cab BTW.
I have a 1971 marshall 1959 superlead ('68 transition circuit with no bright cap), a 1982 JCM800 1987 stock, a 2061x, and a slash head.
I think this gives a truer picture of the differences of the amps with a minimum of room introduced problems.
I used my LS custom Tokai for all these tracks (SD Seth Lovers) straight in to the amps.
The clips are here
http://www.purevolume.com/joewgorman
I got the e609 right in the center of the cone on a Marshall VM cab about 3" off, and I stood a AT4047 off just at the point I heard the dreaded phase issue raise it's head.
So anyway, the cabinet and the mics never changed. I tried to get the levels as close as I could through the cab BTW.
I have a 1971 marshall 1959 superlead ('68 transition circuit with no bright cap), a 1982 JCM800 1987 stock, a 2061x, and a slash head.
I think this gives a truer picture of the differences of the amps with a minimum of room introduced problems.
I used my LS custom Tokai for all these tracks (SD Seth Lovers) straight in to the amps.
The clips are here
http://www.purevolume.com/joewgorman