Couple of questions re: wings/no wings, serial/no serial

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Krank

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I'm a newcomer to vintage MIJ guitars, so please pardon me if I ask noobishly.

The general concensus seems to be that the early 80s Burny are generally (not always) better than later ones, correct? Excluding the Korean models, what could be the reason for this - the production moved from Fujigen Gakki?

Burnies up until about '87 had the bell-shape truss rod cover, while later ones have the little 'wings'. Is this a viable rule of thumb when judging the age of a Burny from a quick glance?

Some have no serial on the body - what can be said about these in terms of year of manufacture etc.?
 
Have a look here, probably the best Burny info in English on the web:

http://www.japanguitars.co.uk/burny%20info.html

The truss rod cover is a useful guide to age, but careful as they are easily changed.
 
JohnA said:
Have a look here, probably the best Burny info in English on the web:

http://www.japanguitars.co.uk/burny%20info.html

The truss rod cover is a useful guide to age, but careful asthey are easily changed.

I've read nbm's paper several times, even wrote the guy (though he didn't respond). Thanks though.
 
In the late 70s/early 80s the Japanese guitar companies were trying to match Gibson and Fender in terms of quality and specs. Later on it sort of dropped off a bit. Japanese labour costs rose a lot during the 80s and the guitar companies lost a bit of interest in doing top of the line Gibson copies and in the 80s the hair metal pointy guitars were the ones that were selling big and Fernandes and Kanda (Greco) etc sold hair metal guitars. The Greco late 80s models are not the same as the Greco early 80s models.The guitar factories don't really play a big part in it as they were all pretty good. Like Matsumoku who was mostly known for Arias could match Fujigen in all departments as could many others.
Fernandes used a lot of different guitar factories.
This is info I've gathered from doing detailed comparisons of Burnys with guitars that had known makers. It might not be 100% correct but it is more than just guessing.



Finding things out about Fernandes and what factories they used is probably the hardest of all the Japanese guitars as there are hardly any serials that identify the factories that Fernandes were using so you have to use comparisons of Burnys to other known factory guitars from the same years. Like comparing the wiring channel drilling and the control and pickup cavity routing and the tenon construction and the custom headstock shape of a 1985 Burny and a 1985 Fujigen made Greco or a 1985 Tokai for instance. You can see a lot of the different wiring channel and routing designs at http://www.japanguitars.co.uk/burny%20info.html and at http://www.k4.dion.ne.jp/~yjibika/FernandesRLG90.html

Fernandes had a development link with Matsumoku in the 1980s http://www.daeschler.com/articles/fujigen/ and with Santai/Three Yasushi http://www.santai.jp/guitar/geindex.htm who seem to be just a guitar finishing factory.

Fujigen have made Fernandes/Burnys according to this page http://www.desertrosebanjo.com/consultfull.htm. In the late 1980s/early 1990s there would have been no FujiGen Burnys because FujiGen stopped most of it's set neck production to mainly make bolt on Fender like guitars.

The early 1980s FLG Les Pauls have a centre drilled wiring channel and the only factory I know of that did that was Terada. FujiGen use a wiring channel up the right side of the pickup cavities on the Grecos Orvilles etc and Tokai and others usually use a diagonal wiring channel from the switch to the controls (volume, tone).
Then there are also the Burnys from the late 70s with Tokai serial numbers.

So after doing comparisons of Burny LPs with known factory guitars it looks like this probably happened for the Japanese made Burny LPs.

1970s Burnys were probably made by Terada and generally have a YXXXX (Y=year, XXXX=production number) serial number.
Late 1970s Burnys were probably made by Tokai and have Tokai serial numbers.
Early 1980s Burnys were probably made by Terada and generally have a YXXXX (Y=year, XXXX=production number) serial number.
The early 1980s FLG-240 FLG-150 FLG-90 and FSA-80 Semi Acoustic models with nitro finishes were probably made by Terada.
Early 1980s to late 1980s Burnys were probably made by Matsumoku and FujiGen with no serial numbers. Matsumoku made most of the RLG models including the RLG-150, RLG-120, RLG-90 models and FujiGen made most of the RLC models.
Some of these Burny RLGs have the Matsumoku bolt tenon that was also used on the Matsumoku made Arias and some like the RLG-150, RLG-120, RLG-90 Burny models http://www.k4.dion.ne.jp/~yjibika/FernandesRLG90.html have a Gibson like diagonal wiring channel (just under the Maple top) that's very similar to some Matsumoku Arias and that's different to the Tokai diagonal wiring channel design that goes through the Mahogany Body and doesn't go just under the Maple top.
From the late 1980s not many Burnys would have been made by FujiGen because of FujiGen's decision to stop a lot of it's set neck production. Also Matsumoku went out of business in 1987 which could be why the RLG-150, RLG-120, RLG-90 models stop around this time.
Early 1990s up to mid 1990s Burnys were probably made by FujiGen.
Current Japanese made Burnys are probably made by Tokai.
The Burny Acoustics up to 1982 were probably made by Hayashi Gakki and after 1982 by Headway.
 
there is at least 2 companies that made the Burny accoustics because some models from the same years have 2 screws truss rod cover and some have 3 screws ( you can see on the 78 catalogue). And in 1978 there is already guitars with the YAsushi Momose signature inside. So it makes sense to suppose that some guitars were already made at Headway factory in 78 AND at the other factory ( wich I've never heard before, good job, Holmes ) :wink:

Ok found this on Hayashi: http://www.acousticguitar.com/article/default.aspx?articleid=6261

looks like it's linked to Terada.

I started something on the accoustic on the japanaxe:

http://forum.japanaxe.com/phpBB3/viewtopic.php?f=11&t=1084&p=9702#p9702
 
That's interesting about the diagonal routes. I have 2 84' Greco Mint collection standards a black one and a cherryburst. The black has the Fujigen route on the right side of the neck pup cavity, while the cherry one has the diagonal route like a Gibson with a scarfed heel. other than that they look identical from the outside.
 
Only a few Fujigen Grecos have diagonal wiring channels and maybe they are not from Fujigen but they probably are. Most of the Fujigen wiring channels go up the right hand side of the pickup cavities which Fujigen also used on the Orvilles and others as well and Fujigen has a distinct control cavity routing style. Two of the big Acoustic makers in the 70s and 80s were Terada and Iida and others as well. Some of the Burny Acoustics could very well be from Terada.
 
japanstrat, any ideas on who made the Fernandes "fender" style guitars in the late '70s through the late '80s?


Thanks!

Tim
 
I havn't got around to the Fernandes Fender guitars. I've just been focusing on the Les Pauls so far.
 
duosonic said:
any ideas on who made the Fernandes "fender" style guitars in the late '70s through the late '80s?

Mainly Kawai & Tokai, according to this:

http://www.music-trade.co.jp/etc.html

Mike
 
The Fernandes Kawai stuff, who knows. There are a lot of rumours on Japanese sites. Kawai made some strange looking guitars http://blogs.yahoo.co.jp/rareguitars/38908770.html

http://www.vguitar.com/features/brands/details.asp?AID=3020

http://cgi.ebay.com/NR-1980s-rare-KAWAI-MLY-140-very-beautiful-japan_W0QQitemZ160218364342QQcmdZViewItem?IMSfp=TL0803140933a30294
 
Where the '80s Revival guitars are concerned, they do NOT look anything like Tokais, in terms of construction.

I've not handled any Kawai guitars, to my knowledge... so for that I could not say.

It has been suggested to me that Matsumoku may have been the manufacturer of the Fernandes Revival stuff, at least through the mid-'80s, and there ARE some points of similarity, in terms of construction methods...

Thanks for chiming in!
 
duosonic said:
Where the '80s Revival guitars are concerned, they do NOT look anything like Tokais, in terms of construction.

Mine does. I recently bought an 80s The Revival, & it's uncannily like my 84 ST55 - it feels very similar.

5.jpg


The only real difference seems to be that it has a cheap plastic switch & ceramic pickups instead of the better hardware the Goldstars had. Apart from that, it feels just like a Goldie to me.
 
I just looked at the other photos in your 'bucket; nice guitar (smile) but it's a later Revival. The early to mid '80s Revivals have completely different routing, etc... here's an '83:

1983_Revival.jpg


See what I mean?
 
I know that Fernandes uses a lot of different makers. The Burny LP's have a lot of different routing differences. There seems to be a Fernandes Matsumoku link before 1987 for some guitars but not all. The trouble with Kawai is it's pretty hard to compare Fernandes or Burny guitars to Kawai made ones because as far as I know there are hardly any Kawai Strats or LPs around.
 
duosonic said:
I just looked at the other photos in your 'bucket; nice guitar (smile) but it's a later Revival. The early to mid '80s Revivals have completely different routing, etc... here's an '83:

Well the routing on mine looks the same as my 1984 Goldstar ST55:

119_1910.jpg


So, whenever it was made, it looks like a Tokai, which is the point I was making.
 
Some things get solved but other things don't. I thought the English based sites were bad with rumours and gossip about Japanese guitars. Things like Ibanez (Hoshino) made just about every strange brand which turns out to be completely wrong with people just making things up. Then I got on some Japanese sites and I thought they might know more but they are just as bad as the English sites. Nowhere on the Japanese web is there any mention of a Cor-Tek or Tokai made Greco for instance. I've come to the conclusion that most Japanese people know less about Japanese guitars than people living outside of Japan. The best information comes from Americans or European people that worked for the Japanese guitar companies at the time but these people are hard to track down and talk to. Also a lot of good information can come from comparing build features between different guitars and then trying to find matches.
 
Hi Japanstrat, i would beg to differ on that, greco zematis are made by tokai, so there's an association there already, they have also made guitars for other companies as well, as well as outsourcing some of the high end models. My info comes from luthiers within Tokai that have worked for them for a very long time and the info i have gotten so far is spot on. I have also exchanged e-mails with Mr Adachi to confirm some of this and he has been quite forthright. So i trust my sources in Japan 100% I agree that there is a lot of misinformation around but doesn't mean its all crap.......just most of it... :wink:

Mick
 
I guess no one at the time had any idea how much interest their guitars would garner all these years later and kept, it seems, very poor records of who was making what. Thing with the web is, somebody says something and baddabing it`s all over the world next day and so many people think it`s true, one reason I think Wikipedia is the one of worst offenders. Maybe we`ll just have to accept the fact that some questions may never be answered. I`m no expert so if a guitar I`m considering sounds good, plays good and feels good...it is good. I don`t obsess about tenons, lacquer or growth rings...I actually prefer playing my guitars than talking about them...no, really. Sites like this help a lot for me because staff I deal with know less about the guitars they sell than I do so I like to go into a shop with at least some idea of what I`m looking at, and theres the language barrier too. Still, it is fun stumbling on to old beauties and I`ve been so lucky so far.
 
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